Wednesday, June 2, 2010

Grading: Coveting, Pride and Perseverence

Kim Taylor sensei sent me this link very shortly after I recently failed my first attempt at fifth dan in iaido.
http://social-issues.org/community/node/255
It is interesting and worth reflecting on.
It is also brief, and in its briefness runs the risk of simplifying what it is to persevere with iaido, versus persevering with standardization and gradings. I believe that the two, although complexly connected, do not need to be in order for one to persevere with iaido.

Persevering in iaido does not require one to grade.
My dear friend, Nobushima san, has been practicing Iaido in the Koganei Iaido Group in Tokyo, Japan for more than twenty years. Our sensei is Yamamoto, Shotaro and his sensei was Mitsuzuka, Takeshi, and so forth goes our lineage. This lineage is quite direct to some of the more infamous sources of modern swordsmanship, including the standardized forms of the All Japan Kendo Federation. Training with Yamamoto sensei is an experience close to the primary sources of modern iaido. Despite 20 years of training close to this source, Nobushima san has never graded. He is opposed to gradings. He is also an excellent technician in iaido, and his knowledge of the sword and Japanese culture and history, continues to amaze me to this day. I always learn something new from our ongoing correspondence. I suggest that Nobushima san defines perseverence in iaido. I suggest that he surpasses it in his steadfast position on standardization and gradings and unswerving loyalty to Yamamoto sensei and his teachings.
I will not grade again in iaido until I find the humility to fully submit to the wishes of the Canadian sensei. My grading failure was a failure of pride, I believe. Technically, I believe I was at a fifth dan level for Canadian Iai. Also, my contribution to Iaido in the CKF, in the local region of Calgary through our club events, volunteering, summer seminars, and article writing is appropriate, I believe. But I fail on giving up fully to the Canadian and visiting sensei. I respect them deeply. I listen to them when they advise, but I do not submit fully. I do not submit fully because there are fundamentals of iai I have been given by Yamamoto sensei that I will not give up. And there are variations on a theme that should not require change for the sake of interpretation. I am not in the state of mind to be a mini-version of the iai of other sensei. I once did that when I travelled across Japan visiting various dojo. When I returned to my dojo in Tokyo and began practicing iaido in front of Yamamoto sensei he asked me where I had learned what I was doing. I told him where I had picked up various tips and interpretations of the seitei iai. This was the only time I saw him angry. He told me that I did not understand the heart of budo. This painful experience which happened beyond my wanting and doing, beyond my expectation, revealed that there is a knowledge about budo practice which precedes a standardized set, which I think can sometimes get lost in the striving to do what everyone else is doing.

So I covet what has been given to me, what I worked for while I lived in Japan (1996-2000). I treasure my lineage and the fundamentals within that lineage. It is more important to me than the yearly shifts in standardized iaido that come about once a year to Canada. I am passionate about iaido and  I persevere in Iaido and I give to my students what has been given to me.

But this course is a fine balance between doing what is best for my students to progess in gradings, and sustain what Yamamoto sensei has given me. Last year while visiting he implored me to grade for the sake of my students. So I did. And I submitted to the weekend interpretations given us by the president of the iaido division of the ZNKR. I did my best to submit, despite not wanting to, despite not liking the idea that I was performing variations on themes, variations that arise every year with every new and ongoing interpretation. No wonder I failed.

Now, we must connect with the Canadian sensei more if we wish to progress in the CKF. We will. I will do this for my students, and for my iaido. As for grading in iaido for another attempt at 5th dan - I may - and I also may not. I'm not ready to fully submit as is necessarily required within standardization. Until I am, my responsibility is to balance this standard with my learning from Yamamoto sensei. Perhaps I will ultimately end up on a similar path to Nobushima san. Taylor sensei was right when he told me that my issue is not with sensei but with the idea of a standardized set. Perhaps in the near future I will share my concerns with standardization. For now, being like Nobushima san would be to persevere in iaido, and this is what I have done for 15 years, and hope to do for life, whether or not I grade.

Most would agree that Iaido is a means of self-understanding. I would like to think that this post reflects an ongoing commitment to that arduous, ongoing, ceaseless, often troubling task.

Chris

3 comments:

  1. Thanks for your post Chris.

    In many ways I feel very much the same about the process of grading. For me it felt like we practice hard at home to learn the ways that you teach us and then we go to Guelph and in 2 days I had to adjust everything I have learned in order to pass a test. That does not feel right and completely outside my integrity. I recall skipping the classes in Guelph prior to grading not wanting to get "confused" and went into my grading feeling solid in what I knew. To me it feels "off" that we have a system that does not respect the minor differences that will naturally occur - that we are being forced to a standard that has been created by a committee - and that the standard changes every year.

    I know there is value in the debate and that is how the art can thrive and get better. However, as stated by your sensei, a respect for the tradition should also be included, if not be parmount.

    For myself grading in this manner has lost a lot of meaning. I do enjoy the aspect of having to push myself and perform to a high standard under pressure, but feel that can be created in our home dojo or by inviting visiting sensei to judge our technique. I am not sure if I will grade again - not because of failing a grading - but because my heart is not in alignment with the need to fall in line with external standards that I have not bought into.

    I won't say "never", but for now this feels like my truth.

    Thanks again for your open honest sharing.
    Cheers
    Sohail

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  2. "To me it feels "off" that we have a system that does not respect the minor differences that will naturally occur.."

    The ZNKR ruleset is actually quite forgiving. Open the manual and you'll notice there are rarely more than two or three checkpoints per kata. That's all you're required to hit -- to a point.

    If you find yourself not passing a certain grade, I'd start by cracking the ZNKR manual open and figure out (with help from a teacher) where you went wrong.

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  3. 1) The ruleset does not interpret. Human beings do. It's looseness or forgiving nature is at once its weakness and strength depending on the interpreter(s).
    2) Rulebook isn't so much an issue as is yearly changes brought about by ongoing changes in Japanese leadership, therefore interpretation change. Problem is the inherent nature of the beast. You either accept it or your don't. The 'don't' is the part to get over.
    3) Teacher was with us last summer. Yet, still, no teacher close enough for regular training and way too cost prohibitive for regular trips to teachers we'd align ourselves with, thus our yearly pilgrimmage to Guelph (and expensive too).
    4) Timing. Timing. Timing.
    5) Perception. Perception. Perception.

    Too much at play to narrow down to one line of solution solving - like check the book and find a good teacher (sigh).

    Perseverence with the system is needed. That is what is not at hand right now...nothing more to point to...

    Thanks for sharing.
    Chris

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